He also wrote music for the popular Ni no Kuni video game series and for his own film, 2001’s Quartet. ![]() Hisaishi also composed the music for many of Takeshi Kitano’s best films, which, compared to the kid-friendly My Neighbor Totoro, are ultra violent and nihilist. Coming from an experimental background, Hisaishi also has an impressive solo career dappling in minimalism, electronic, and European and Japanese classical, all of which you can hear in his film work. The frequent comparison of Hisaishi to John Williams, the western equivalent of a master film composer with close ties to a popular director, only hints at the full range of Hisaishi’s skills and accomplishments. And after the success of 1984’s Nausicaä of the Valley of the Wind, Hisaishi’s collaboration and friendship with Miyazaki propelled him to international fame outside of Japan. As his career began to boom, he took up the stage name Joe Hisaishi, which was inspired by Quincy Jones (the kanji for “Hisaishi” reads like “Kuishi,” which sounds close to “Quincy”). His early discovery of electronic music, Yellow Magic Orchestra, and American minimalism had a profound effect on his writing as he began to compose music that blended, rather than categorized, all his varied influences. ![]() Born in Nakano, Japan in 1950 as Mamoru Fujisawa, Hisaishi has played music nearly all his life, initially studying at Tokyo’s renowned Kunitachi College of Music.
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